Comparing the Role of the Black in the South in Clotelle and Absalom, A

Role of the Black in the Southern Family as demonstrate in Clotelle and Absalom, Absalom Southern literary works, more than anything else, is a discussion of the family. And in the family, particularly the Southern family, no question is as pivotal--or causes as many disputes--as who belongs? Southern Literature has been, in many ways, a order of exclusion. From a culture built upon controlling and utilizing an entire race for the express purpose of advancing a nonher, a canon of yearning and despair is left. And in no place is this as clear as within the family, the unit by nature designed to nurture and support--and lastly overcome. Stereotypically, the family longed for by every Southerner is one of impeccable repute, a white triumph, clean of any African blood, with a heritage predating the Revolution and a lineage arrival beyond the next millennium. Clotelle, by William Wells Brown, is an appeal to the Southern ideal that blacks do not and can not fit into the traditiona l, lily-white aristocratic familial structure which ruled the South during his time--and reigned for many years thereafter. Traditional Southern canon emphasizes the Thomas Sutpens--of William Faulkners Absalom, Absalom --who ejects African-Americans from his family (as he attempts to create a new one), and men the likes of the Sheriff of Charles W. Chesnutts The Sheriffs Children, who sells a pregnant slave--carrying his unborn mulatto squirt--into slavery. The advancement and protection of ones name is also highlighted by Sutpen and by Clara Hohlfelder in another Chesnutt tale, Her Virginia Mammy. These are ideals which Brown understands and resists, and tries--ultimately in vain--to defy. Clotelle does not adjust itself to the tr... ...ildren are born as a result--are disposed of as quietly as possible, in order to keep the familial superstructure as maximally pure as possible. A white man does not marry a slave, or make a respectable woman of her. He keeps her and his child in a shed outside of town, he sends them to New Orleans, or sells them to the rice swamps to toil under the whip for the remainder of their lives. Southern literature excludes the African-American from its families, thus robbing her of her identity and forcing her to become a mere brick in the base below the superstructure. Works Cited Brown, William Wells. Clotelle. Miami Mnemosyne Publishing, 1969. Chesnutt, Charles W. Her Virginia Mammy and The Sheriffs Children. Collected Stories of Charles W. Chesnutt. New York Penguin, 1992. 114-148. Faulkner, William. Absalom, Absalom New York Vintage, 1990.